Showing posts with label Portraits. Show all posts
Showing posts with label Portraits. Show all posts

Wednesday, 19 July 2017

3 Composition Tips to Help Strengthen Your Photography

You could be the most technically skilled photographer but without strong compositions, photos will fall flat. Composition gives you the power to lead the viewer's eye to what exactly you want them to see or feel in an image.

Have you noticed that some images draw your attention more than others? You may not even realize why but usually composition has a lot to do with it.  Photos that use elements of composition to allow the eye to move around the image are typically more pleasing. Here are 3 simple tips you can try when composing your photos.


1) Rule of Thirds
You may already have heard about this one and let me start off by saying that there are also exceptions to this rule. Sometimes a photo with the subject in the middle can be powerful depending on the message but generally photos that place subjects off center will be more pleasing. Avoiding the center helps to create a more dynamic image that allows the eye to move around and rest. By leaving some negative space around the subject, the photo will feel more balanced and it puts the emphasis on the subject.

You can test this rule by taking a shot with your subject in the middle and then another shot where they are off center. Which one do you like better? Why does it work?

3) Perspective and Focus
This is a biggie and can really bring your photos up a few notches. When I'm shooting, I rarely take photos from the standing position. I squat, sit, stand on chairs, lie down, I creep over people's shoulders, I move my feet almost constantly. I would love a video of this since I'm sure it looks pretty funny but it's a way to find the strongest angle and photos that tell the story of what I'm shooting. If a family is busy doing an activity, I'll take shots from every vantage point and shift the focus from one family member to another, take a detail shot of someone's hands or pull back to take the entire family. These are the shots that make you feel like you were in the room with them. Think also about what to include and what to exclude from the frame.

Challenge yourself to take photos in any position other than standing. Especially working with children, getting down low or up high opens up a whole other world of possible compositions. Take a scene and take shots from a wider perspective, close-up, from above and from below. See how they can work together to tell the story.

3) Lines
Lines are everywhere if you look for them. Diagonal lines in particular really have a way to lead the eye to the subject if you use them right. Countertops, patterns in flooring, walls, fences, windows, arms, legs, footprints, play structures, horizon lines - the possibilities are endless.

Try making images where those lines shoot diagonally up from the corner of your photo.

To see these composition elements at work, check out the photos below.


In this image, you can see the lines in the flooring, the lines created by the shadows from the window and the wall all leading back to the subject. Even the father's hand is angled diagonally which helps the eye move up to the scene. I was kneeling down when I took this shot so that I would be at the same level.

I got down low and used the table to lead the eye to this little boy playing with his puzzles. 

In this photo, the angel of the light/shadow in the floor, the bent arm and the leg are all drawing the eye up towards the subject and to her face. I composed the photo so that she was off center, allowing the eye to move around the photo. I was standing on a chair to get a higher vantage point for this shot.


The negative space here helps to keep the focus on the couple, you also see lines from the dress, mouldings and the railing in the back all pointing towards the subjects. I shot this from a crouching position to include all of the lines and to introduce a more dynamic perspective. 


It's all about perspective and lines in this shot. The lines actually work to frame the subject as well and the fun perspective adds interest. 

Take some time to study images that inspire you and see if you can figure out why - what elements of composition are they using? Examining images and understanding why the photographer chose that composition, why it works or why you like it is a great way to really strengthen your photography.

As always, I'd love to see your images and how you use these elements. Feel free to contact me or to ask questions!







Friday, 21 April 2017

After a Photo Session / Après la session photo


(texte en français suit ci-dessous)

This week I thought I’d fill you in a bit about what happens behind the scenes after a session – so,  after you’ve had a session with me, what happens next? For me, the end of a session is actually the beginning of much of the work. Once I get home, I upload the photos as soon as I can and ensure they are backed up. I then take some time to sort through them, tag the best photos and delete any duplicates, photos that are under/over exposed, maybe not the strongest angle etc. I take a lot of photos during a session to test different exposures or perspectives and they don’t always work – it’s just part of the process. 

What are the ‘best’ photos? For me and how I work, the best are the photos that tell the story from details, wide shots to close ups; photos that make you feel something; angles that are flattering, compositions that are interesting and lead the eye to the subject; and photos that reveal bits of soul. 

From there, I apply some basic edits to the photos, for example, I change some that I feel speak more in black and white or apply a standard edit across all photos and then return to each photo and tweak them individually. This whole process can take several hours. When I’m happy with the gallery as a whole, I upload it to a photo sharing site (I use Pixieset) and provide clients with the link and password for them to view the photos. Because I probably get as excited as clients to see the results, I usually have a quick turnaround for this initial gallery. Depending on what other projects I’m working on or family commitments, I can usually have the gallery ready within a few days after the session.

Once clients have selected their favourites from the online gallery (the number is based on the package they purchase), I go back to these photos, enlarge them on my screen and refine them as necessary. I look for ways to make them stronger and remove distractions that pull the eye away from the subject. I use Lightroom and Photoshop to crop, straighten, lighten, darken, sharpen each image. I don’t smooth skin out, I don’t alter how people look which is in keeping with my philosophy of capturing people as they are and telling real stories. I will remove a blemish or two, a fly away piece of hair, lighten a shadow – things like that. I want people to look like their best selves without giving into that pressure of perfection. So much can be achieved with angles and lighting that using Photoshop to change someone’s appearance is just not necessary. All of these final edits take another few hours depending on the complexity of the changes to be done. I aim to have images as close to perfect as possible straight out of the camera but given my style which is to document moments as they happen, sometimes I have no choice to just shoot and capture the story over taking the time to compose everything perfectly. Anyone who spends time with kids knows how fast they move! 

Once the final edits are made, I send clients a link to download the high resolution files they purchased which they can then print as they wish. 

So there it is, a little look into the work that happens after a session! If you have any questions, I’d love to hear from you.





Cette semaine, j'ai pensé vous expliquer un peu ce qui se passe derrière les coulisses après une session - alors, après avoir eu une session avec moi, qu'est-ce qui se passe ensuite? Pour moi, la fin d'une session est en fait le début d'une grande partie du travail. Une fois que je rentre à la maison, je télécharge les photos dès que possible et je vérifie qu'elles sont sauvegardées. Ensuite, je prends un certain temps pour trier à travers eux, marquer les meilleures photos et supprimer les doublons, les photos qui sont sous/sur exposées, peut-être pas l'angle le plus fort, etc. Je prends beaucoup de photos lors d'une session pour tester différentes expositions ou perspectives et Ils ne fonctionnent pas toujours - c'est juste une partie du processus.

Quelles sont les «meilleures» photos? Pour moi, ce sont les photos qui racontent l'histoire à partir des détails, des perspectives variées; Des photos qui vous font sentir quelque chose; des angles qui flattent, des compositions intéressantes et qui visent le sujet et des photos qui révèlent des morceaux d'âme.

À partir de là, j'applique quelques modifications de base aux photos, par exemple, je change quelques photos en noir et blanc ou j'utilise une modification standard sur toutes les photos, et ensuite je les modifie individuellement. Tout ce processus peut prendre plusieurs heures. Lorsque je suis contente de la galerie dans son ensemble, je la télécharge sur un site de partage de photos (j'utilise Pixieset) et je fourni aux clients le lien et le mot de passe pour qu’ils puissent voir les photos. Parce que je suis aussi excitée que les clients pour voir les résultats, j'ai généralement un virage rapide pour cette galerie initiale. Selon les autres projets sur lesquels je travaille ou les engagements familiaux, je peux habituellement préparer la galerie dans les quelques jours après la session.

Une fois que les clients ont choisi leurs photos favories de la galerie en ligne (le numéro est basé sur le forfait qu'ils achètent), je reviens sur ces photos, grossissez-les sur mon écran et affinez-les si nécessaire. Je cherche des façons de les renforcer et de supprimer les distractions qui éloignent le sujet. J'utilise Lightroom et Photoshop pour recadrer, redresser, alléger, assombrir, affiner chaque image. Je ne lisse pas la peau, je ne modifie pas l’apparence des gens, ce qui est conforme à ma philosophie de capter des personnes telles qu'elles sont et de raconter de vraies histoires. Je vais supprimer une bouton ou deux, un morceau de cheveux qui s’envole, alléger une ombre - des choses comme ça. Je veux que les gens se ressemblent sans qu’ils se donnent au pression de la perfection. On peut utiliser les angles et l’éclairage au lieu de se fier sur l'utilisation de Photoshop pour changer l'apparence de quelqu'un. Toutes ces modifications finales prennent encore quelques heures en fonction de la complexité des modifications à effectuer. Je vise à avoir des images aussi parfait que possible de la caméra, mais compte tenu de mon style qui est de documenter les moments qui se produisent, parfois, je n’ai pas le choix de simplement prendre la photo pour capter le moment et je n’ai pas le temps de composer tout parfaitement. Ceux qui passe du temps avec les enfants sait à quelle vitesse ils bougent!

Une fois que les modifications finales sont effectuées, j'envoie un lien aux clients pour télécharger les fichiers haute résolution qu'ils ont achetés et ils peuvent les faire imprimer comme ils le souhaitent.

Alors voilà le travail qui se déroule après une session! Si vous avez des questions, j'aimerais avoir de vos nouvelles.



Tuesday, 14 March 2017

Maternity Photo Session in Collaboration with Maman Chic Boutique

Collaborating and connecting with local business owners is one of the things I love about what I do. When I discovered Maman Chic Boutique through my sister (thanks again Lauri), I fell in love with the products, the concept of the one-on-one shopping experience and the fact that this incredible shop is local and carries lots of Canadian products. I only wish I had this option back when I was pregnant. The good news is, a pregnant belly is not necessarily required for many of the pieces carried in this shop. That’s how versatile the carefully selected pieces are. Sarah knows I’ve been eyeing those Spanx leggings for some time now! 

When we discussed the opportunity to work together, I was thrilled to see it all come together because I truly love this little gem of a shop. In keeping with my photography style, I wanted to create a photo shoot that was real, moody and that highlighted natural beauty. It features a real Mom who is expecting her second baby, it takes place in her own home using natural light with clothing provided by Maman Chic. Clothing she would actually wear on a day to day basis. Photos taken in the spaces that together make a home – the place that will welcome the baby boy next month. 

I think you will agree that this Mama looks stunning exactly as she is – no special lighting or backdrops required. Those curves are so perfectly highlighted by the clothes and the light hitting her just so.

It’s hard to pick my favourites but my top two would be the coloured photo of her standing by the nursery window and that last belly shot. Something about her hands and the roundness of that belly that just gets me. Scroll to the bottom to see the link to the Maman Chic blog post all about preparing for your maternity photo session!




Ottawa maternity photo session black and white portrait of expecting mom's belly







Black and white profile shot of pregnant mom in baby's nursery

Colour portrait of expecting mom in baby's nursery. Mom is wearing dress by Maman Chic Boutique

Colour side profile of pregnant mom in cocoon dress by Maman Chic in Aylmer QC

Black and white side profile of pregnant belly. Lifestyle photo session by Gatineau Ottawa Photographer




Close up of pregnant belly and hands on belly.

Are you pregnant or know someone who is? It’s such a special time that many women want to document. You’re gonna want to go check out the latest blog post on the Maman Chic website to learn all about making sure those photos are exactly what you want! 
Click here  https://mamanchic.com/blogs/news/preparing-for-your-maternity-photo-session   for quick tips on how to prepare for your maternity photo session.